
“Vinny Goods proves over and over again that it takes a hell of a lot more than just a MacBook Pro to make a real DJ”
While a Serato box and shiny Mac are the foundation of making music, Vinny brings this rare ingredient to the turntables: Rhythm.
After hearing Vinny’s two latest mixes, “EarKandi” and “Electro Thesis,” I’m not surprised that he was just signed by CEG Talent in New York City. His list of past performances is enough evidence that he’s doing something right: STK NYC, Marquee, Cain Luxe, Touch NYC, Pacha NYC, Hudson Terrace, Suzie Wongs, Johnny Utahs, The Canal Room, BLVD, The Imperial… the list goes on. And so does the beat.
In his Electro Thesis Mix (mostly house and electro) he takes us on a musical journey that flows from the start to it’s final destination an hour later. The intro to his newest mix, EarKandi, is amazing, dramatic, and conviced me from the start that Vinny knows how to work a crowd. It starts with La Roux’s I’m Not Your Toy and the high energy vibes continue with appearances from Ke$ha and Lady Gaga, with LMFAO and Wale following soon after. Tommy Spark’s She’s Got Me Dancing is fire in this mix, and the end even has Beethoven in it.
Together, these two mixes showcase Vinny Good’s open format approach to the art of deejaying, and you’re sure to be impressed by his ability to cross so many genres with such natural flow and ease.
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